repository
1990년대 한국 무대에서 셰익스피어의 『햄릿』수용에 대한 연구
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | 조광순 | - |
| dc.contributor.author | 권혜진 | - |
| dc.date.accessioned | 2018-11-08T06:59:08Z | - |
| dc.date.available | 2018-11-08T06:59:08Z | - |
| dc.date.issued | 2007-02 | - |
| dc.identifier.other | 2293 | - |
| dc.identifier.uri | https://dspace.ajou.ac.kr/handle/2018.oak/4759 | - |
| dc.description | 학위논문(석사)--아주대학교 일반대학원 :영어영문학과,2007.2 | - |
| dc.description.tableofcontents | Ⅰ. 서론 = 1 Ⅱ. 한국화 시도로서의 『햄릿』: 1990년대의 『햄릿』공연 = 5 Ⅲ. 한국화의 대표적 두 공연:『문제적 인간 연산』과 1996년『햄릿』 = 9 A. 이윤택 연출의 『문제적 인간 연산』 = 9 1. 이야기의 한국적 구조 = 10 2. 연산의 모친 콤플렉스 = 12 3. 한국적 공연예술의 도입 = 14 B. 이윤택의 1996년 『천마총 속의 햄릿』 = 16 1. 샤머니즘적 접신 장면 = 18 2. 배우출현 장면과 극중극에서의 한국적 예술의 도입 = 20 3. 무덤 파는 장면에서의 판소리 = 21 Ⅳ. 결론 = 24 BIBLIOGRAPHY = 26 ABSTRACT = 28 | - |
| dc.language.iso | kor | - |
| dc.publisher | The Graduate School, Ajou University | - |
| dc.rights | 아주대학교 논문은 저작권에 의해 보호받습니다. | - |
| dc.title | 1990년대 한국 무대에서 셰익스피어의 『햄릿』수용에 대한 연구 | - |
| dc.title.alternative | Kwon, Hye-Jin | - |
| dc.type | Thesis | - |
| dc.contributor.affiliation | 아주대학교 일반대학원 | - |
| dc.contributor.alternativeName | Kwon, Hye-Jin | - |
| dc.contributor.department | 일반대학원 영어영문학과 | - |
| dc.date.awarded | 2007. 2 | - |
| dc.description.degree | Master | - |
| dc.identifier.localId | 565779 | - |
| dc.identifier.url | http://dcoll.ajou.ac.kr:9080/dcollection/jsp/common/DcLoOrgPer.jsp?sItemId=000000002293 | - |
| dc.subject.keyword | 햄릿 | - |
| dc.description.alternativeAbstract | The purpose of this study is to shed light on Shakespeare's Hamlet has been accepted on the Korean stage. In the stage history of Hamlet in Korea the 1990s is the time the play was vigorously adapted in the Korean style. In this study I am going to make preliminary examination of the two performance of Hamlet, The Problematic Man, and the so-called Hamlet in Cheonmachong (a tomb with a painting with a flying horse) which are the two examples of Koreanized Hamlet. Both of the works were directed by Yoontaek Lee. The Problematic Man, Yeonsan is an adaptation of Hamlet in three respects. First, this is convinced by the fact that the dramatis personae of The Problematic Man, Yeonsan corresponds to those of Hamlet. The Problematic Man, Yeonsan shows the oedipus complex in a different way from that of Hamlet. Unlike Hamlet, Yeonsan misses his mother who was tragically dethroned and executed. This suppressed love of the mother along with his inferiority complex triggers revenge on those who are involved in the death of the queen. Yoontaek Lee also employs Korean performing arts such as dancing and music to deliver the play. Hamlet in Cheonmachong performed in 1996 by Yoontaek Lee keeps much of the play intact. The producer's attempt at Koreanization is seen in several scenes rather than in plot or story. While Hamlet meets his father's ghost, Hamlet is visited by the ghost in Hamlet in Cheonmachong. The Koreanized play starts with p'ansori (a traditional Korean narrative song) in Act 5 Scene 1. This song, a dirge sung by the pallbearers, communicates the subject of death. In conclusion Yoontaek Lee attempts the Koreanization of Hamlet in two ways. First, he adapts Hamlet to Korean narrative with the indigenous setting and dramatis personae. This can be called the Koreanization of the content. Second, the Koreanization of Hamlet is made in terms of delivery. The play is addressed by Korean music and dance. This aspect is called the Koreanization of the form. | - |
| dc.title.subtitle | 한국화를 중심으로 | - |
- Appears in Collections:
- Graduate School of Ajou University > Department of English Literature > 3. Theses(Master)
- Files in This Item:
- There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
-
- License
- STATISTICS
- Total Visit :3,860,850
- Total Download :1,950
- Today View :6,147
